Storytelling in Research and Practice

12 Jan 2006 (Thu)

Two of Sat in a very interesting module, “Storytelling in Research and Practice”, last night. We started by watching the recording of an excellent stage play called “Handle with Care”. An ethnographical performance based on qualitative research among women with metastatic breast cancer.

The theme seems to be “Fear blocks people’s ears”: Fear in the patient and fear among the patient’s relatives and friends. So marvellously executed. Constantly bombarding the audience with multiple points of views — a young woman, a middle-aged one, an elderly one; the whiner, the “never-say-dier”; the the mother, the daughter/son, the husband, the neighbour, the doctor(s); how others’ apparent concern and advice could be “smothering” or “just wanting to know ‘You’re feeling fine’ “; becoming “invisible” once perceived as sick; issues of “control” versus “no control”; “hope” for cure, less pain, longer life, emotional support…. Truly thought-provoking and ever so witty.

Spent time deliberating on the topics which each student will work on — doing literature review and making presentations — individually and in small groups. For example, “Using Stories to Teach English”, “Play Making with Children”, “Labovian Analysis of Narratives” (cheem)… Still wondering what I should do. Borrowed a practice-oriented book called “Stories: Narrative activities in the language classroom” by Ruth Wajnryb (2003). The stories in the book are based on Labovian analysis, the associate professor said. Revisited Toulmin’s model of argument… aha!

The evening ended on a splendidly inspiring note with an animation movie called “The Man Who Planted Trees”. Wow! What one man can do! Makes me wonder how hard I’ve tried to be part of the solution instead of the problem. How easy it is to destroy! How easily we forget about the creative prowess within us! And how easily we tend to give up! :-p

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Posted by J.K. in Design, Emotive, Facilitation, Learning, Narrative, Psychology, Qualitative, Research, Technology | blog reactions | |

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• COMMENTS SO FAR:

  1. JK says:

    Aha! A locally produced ethnographical performance based on research among 500 Singaporean men ;-) according to a CNA report, ACTION Theatre’s play explores why Singaporean men stay single. The writeup was rather choppy though. So, here’s an adapted extract:

    Meet Singapore’s spoof of Memoirs of a Geisha and find out why some Singapore men are single.

    This sequence is part of 10 playlets in ACTION Theatre’s upcoming production ‘Confessions of 300 Unmarried Men’ which will open on Valentine’s Day. The playlets were written by five well-known local playwrights: Alfian Sa’at, Desmond Sim, Tan Tarn How, Eleanor Wong, and Ovidia Yu. Based on actual answers of a web poll conducted among 500-plus Singaporean men, the playlets have titles such as “My Bird Can Sing Louder Than Your Bird,” “Raw Fish (Conveyour Belt Love),” “Bottomless Men,” and “Who Wants To Marry Ah Seng?”

    Ekachai Uekrongtham, ACTION Theatre’s Artistic Director, explained, “They play geishas because it is a lead-in to a playlet called ‘Conveyor Belt Love’ which is about a group of executives eating sushi in a sushi bar. Looking for your life partner, which is sometimes a little bit like sitting down looking at the sushi plates coming through the conveyor belt, you wonder whether you should choose it now or you should wait for the better one to come later. Or you order from the menu and you end up not having anything to eat because everybody has taken it all up.”

    Many of the answers were apparently a lot more candid than one would find in official surveys because it was an informal survey. For example, one answer was: “I am unmarried because I did not study enough so I do not earn enough.” Another was: “I am unmarried because getting married has become a social pressure and I refuse to conform.” Other reasons Singaporean men gave for staying single included difficulty with a monogamous relationship, fear of divorce or simply rejection by too many women not wanting to marry down.

    Paul Sadot, the production’s director, observed, “Marrying up and marrying down is a concept that is alien to me in England and…If I meet a person I am attracted to, there is some love or soul involved; we connect, and I wouldn’t care if they were a cleaner or immensely rich.”

    Interestingly, most of the cast and production crew are single men. Actor Benjamin Ng said, “There are 3 of us, 3 male actors and we are playing 18 characters each. I become a bit schizo(phrenic)…I’m playing a Vietnamese bride who is here to look for a Singapore husband…”

    There has already been international interest in this play and ACTION Theatre says it will conduct a country specific survey wherever it takes the play to.

 

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